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Maria Teresa Lezcano signed in June, the newspaper Sur Malaga this review of past projects , "eleven stories ranging from magical realism and the press:

Fifty years of darkness

Otilia Valeria Coman whose books have been published under the pseudonym of Ana Blandiana-Blandiana the Transylvanian village where his mother is born, along with Vaclav Haval and Anna Akhmatova, the symbolic triangle of dissent against the dictatorship. Author of a major poetic work, also published several papers and has had extensive journalistic work abroad, in their works came to be banned.

past projects is the second Blandiana book published in Spain-the first was a poetry anthology entitled Harvest Angels - and this is a collection of eleven short stories whose subjects, even enrolling in the category of fantasy, in its implementation varies between linguistic meanderings of magical realism and debugging almost journalistic realism.

In the first story, "A schematic wound", she tackles, using first person narrative of a dolphin stranded on a beach, the indefinable line cleaving not only life and death, but also the real and fictional.

Going through the pages of the book through consumptive imagination of its author, witnessed the birth of twelve angels in a cage initially intended for the emergence of twelve birds condemned to be eaten, we visited villages and islands spectral symbolize aberration of a world whose survival rate is none other than the annihilation of their builders, are deported to a prison where, despite the absence of guards and fences, we can not escape because the guards and fences are now the rest of world.

Entering the universe, always between delirious melancholy Blandiana, crossing spaces made of a dark matter so that terror is often only the prelude to the next revelation or the next atrocity.

The Romanian prose writer is made by coded messages should be read completely submerged in the text, as the reader least imply a neglect of absolute incomprehension of the whole story. The realities of Ana Blandiana not entrenched in the bedrock, on the contrary, the soil is constantly sliding under the feet of both characters and readers, like a dreamscape in which, despite the fairy maze vegetation each element of the phantasmagoria has rebuilt its equivalent across the mirror.

exists in most of the tales of past projects rote component in which the author's poetic vocation in every story emerges as isolated iceberg narrative that emerge from the demystification of a socio-cultural the masks of Utopia have melted, giving way to true and multiple faces of terror.

Totalitarianism advocated a system in his day as "fifty years of light" disintegrates and focuses both on the abysmal vision of a world in which seemingly implausible reveals credible and visionary speeches become a metaphysics of tragedy. Judge for yourselves: "increasingly idealized suffering, and as he aged contrasted the terrible suffering that experience limit to the mediocrity of modern life, building a tireless relish a fantastic growing projects and ideals of the past" .